Three Degrees: Artist to Artist  is a conversation series from Noisy Cavern , where musicians sit down with other musicians. No interviewer, no script, no agenda.

Mylo Bybee’s Revisions  does not rush to explain itself, what it does is open its arms to let you step in. Due February 20th via Gold Ship Records, the EP finds the Boise-based band writing from a place of reflection rather than reaction. It lets melodies stretch and emotions linger. There is a familiar comfort in the way the album unfolds, with echoes of Death Cab for Cutie and Manchester Orchestra floating through the edges, but what stands out is how grounded it feels. Not

Ghostbells do not so much arrive as they materialize. Catacouture, the New York trio’s debut full-length, feels like something that’s been lurking just outside the club lights for years, waiting for the right moment to step forward. Built from cold new-wave melodies, the muscular throb of 90's EBM, and a modern, neon-slick production shine, the record paces with purpose. Basslines crawl and coil, guitars hang in reverb clouds, and the vocals, half incantation, half confessio

Gustavo de la Cruz delivered a stripped-down three-song acoustic set at Orangewood Studios, and yes, it was an intimate experience! His weaving of beautifully textured guitar lines strummed with precision landed fluidly, only complimenting his classic, weathered raspy vocals. The set felt lived-in, honest and timeless. It was a Sunday afternoon, and the quiet exhale after NAMM's controlled chaos had settled in. No rehearsal, no resets, just three acoustic songs captured in se